FlowBoard

Screenplay

Scene A-1: Grandparents' Porch — Night

WIDE SHOT establishing a modest Grant Park Victorian home. Warm yellow light spills from windows onto a manicured lawn. A single porch light illuminates the front steps.

SOUND: Distant rumble of an approaching engine, growing louder.

MEDIUM SHOT from the porch. MASON (7), small for his age, stands at the screen door peering out. His GRANDMOTHER's hand rests on his shoulder.

LOW ANGLE from the street as headlights sweep across frame. A 1979 FERRARI 308 GTS, impossibly red, glides to a stop at the curb. The engine burbles, then dies.

CLOSE-UP on Mason's face. Eyes wide. The red glow of taillights reflects in his pupils.

Scene A-2: Curbside — Continuous

MEDIUM SHOT as MARCUS (late 20s) unfolds himself from the driver's seat. He moves with casual confidence, adjusting his collar, flashing a grin toward the porch.

REVERSE SHOT — Mason breaks from his grandmother's grip, and bounds down the porch steps.

LOW TRACKING SHOT following Mason's sneakers across the grass, stopping at the Ferrari's passenger door.

TWO-SHOT — Marcus leans across, pushes the door open from inside. The leather interior glows amber under the dome light.

INSERT — Mason's small hand touches the leather seat. It's still warm.

Scene A-3: Ferrari Interior — Moving — Night

INTERIOR MEDIUM from the backseat position. Mason sits in the passenger seat, legs too short to reach the floor. His bare legs stick slightly to the leather.

POV SHOT through the windshield — Peachtree Street at night. Neon signs blur past. Streetlights strobe rhythmically.

CLOSE-UP on Marcus's hand shifting gears. Gold watch catches light.

CLOSE-UP on Mason — vibration of the engine travels through his small body. A half-smile.

Scene A-4: The Point — Exterior — Night

WIDE SHOT establishing the club. A converted warehouse, nondescript except for a hand-painted sign and a cluster of SMOKERS near the entrance. Motorcycles and beaters line the curb. The Ferrari looks alien among them.

MEDIUM SHOT — Marcus and Mason approach the entrance. A massive BOUNCER blocks the door, arms folded.

TWO-SHOT — The Bouncer's stern expression breaks into recognition. He extends a hand the size of a baseball mitt.

INSERT — Mason's tiny hand meets the Bouncer's palm in a high-five.

Scene A-5: The Point — Interior — Continuous

WIDE SHOT — A wall of smoke, bodies, and sound. The club is packed. A BAND plays on a low stage at the far end, half-visible through the haze. Christmas lights strung haphazardly provide most of the illumination.

LOW ANGLE TRACKING — We follow Marcus's boots as he moves through the crowd. People part for him. Nods of recognition. Hands clap his shoulder.

MEDIUM SHOT — Marcus hoists Mason onto his shoulders in one fluid motion.

POV SHOT (Mason's height now) — The room transforms. He can see over heads now. The stage is visible. The LEAD SINGER writhes at the microphone, bathed in red light.

Scene A-6: The Bar — Continuous

MEDIUM SHOT — Marcus arrives at the bar, Mason still on his shoulders. The BARTENDER, a weathered woman with kind eyes, is already reaching below the counter.

INSERT — A plastic cup slides across the bar. Coca-Cola. No ice.

CLOSE-UP — Mason takes the cup. Nods seriously, as if concluding a business transaction.

Scene A-7: Backstage Area — Later

MEDIUM SHOT — The band has finished their set. Equipment is being broken down. The LEAD SINGER sits on an amp, toweling sweat from his face. His eyes are glassy, unfocused.

TWO-SHOT — Marcus approaches with Mason. The Singer looks up.

MARCUS: This is my kid. Gonna rule the world someday.

REVERSE CLOSE-UP — The Singer studies Mason. His gaze sharpens momentarily through the chemical haze.

The Singer kneels. Eye level with the boy.

INSERT — The Singer's calloused finger taps Mason's chest, over his heart.

LEAD SINGER: You've got an old soul.

LEAD SINGER (CONT'D): You think you're the black cat... but I'm the one sleeping in the jungle.

INSERT — The Singer presses a GUITAR PICK into Mason's palm. Closes the small fingers around it.

WIDE SHOT — The Singer rises, disappears into the backstage shadows. Mason stands frozen, fist closed around the pick.

SLOW PUSH on Mason's face as the ambient noise of the club fades. Just the boy. Just the weight of words he won't understand for years.

FADE TO BLACK.

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FlowBoard Node Reference

Time Period

eraPreset	1970s
region	American South
description	Late 1970s Atlanta, Georgia. The tail end of disco, the rise of punk and new wave. A city of contradictions—old Southern money meets new hustler energy. Pre-crack epidemic, but the underground economy thrives.

Style

Noir Graphic Novel

High contrast noir aesthetic. Deep blacks, blown-out highlights. Warm ambers and deep reds dominate, with sodium-vapor yellows. Occasional cool blue from neon. 1970s film grain texture—soft but not degraded. Smoke catches and diffuses all light sources. Practical lighting dominates.

Characters

Mason (Child)	7-year-old white boy, small for his age, blue-green eyes, freckles across nose and cheeks. Dutch-American father, British-Irish mother. Sand-colored light brown hair, slightly unkempt. Wearing faded gray AC/DC t-shirt with lightning bolt logo under open denim jacket, corduroy shorts, worn high-top canvas Converse sneakers. Hair is shaggy, ear-length.
Marcus	Late 20s white man, fair-skinned, light complexion, Dutch-American descent, Mason's father. Sandy brown hair, strong jaw, blue eyes. Handsome, confident, moves like he owns every room. A drug dealer who operates between worlds—part outlaw, part gentleman. Wearing fitted leather jacket over silk shirt, dark slacks, polished boots. Gold wristwatch.
Grandmother	60s white woman of British-Irish descent, Mason's maternal grandmother. Graying auburn hair pinned back. Proper, worried, trying to maintain order in chaos. Wearing floral housedress, cardigan, sensible shoes.
Bouncer	30s Black man, massive, intimidating to strangers but familiar with Marcus's crew. Hands like baseball mitts. Wearing black t-shirt straining at biceps, jeans, work boots. Tattoos visible on forearms.
Bartender	40s white woman, weathered but kind. Has seen everything. Keeps Coca-Cola ready for kids who come through. Wearing tank top, denim vest, multiple rings, cigarette tucked behind ear.
Lead Singer	Late 20s white man, gaunt, intense, chemically altered. A prophet in the body of a rock musician. Eyes that focus and unfocus. Wearing sweat-soaked white t-shirt, tight jeans, bare feet. Leather cuff on wrist. Eyeliner smudged.

Settings

Grandparents' Victorian	Grant Park, Atlanta. Modest but well-maintained Victorian home. Warm yellow light spills from windows onto manicured lawn. Single porch light illuminates front steps. Screen door. Porch swing.
Ferrari Interior	Cherry red Italian sports car, tan leather seats, period-correct dash with analog gauges. Warm dome light. Cramped but luxurious. Smells of leather and engine heat.
The Point Exterior	Converted warehouse nightclub. Hand-painted sign over door. Dim exterior lighting. Gravel parking area with motorcycles and beaters. Industrial, nondescript, deliberately anonymous.
The Point Interior	Low ceilings thick with cigarette smoke. Christmas lights strung haphazardly provide ambient glow. Low stage at far end. Packed with bodies. Sticky floors. Dark except for stage lighting and string lights.
The Point Backstage	Behind the low stage. Marshall amps, cables, equipment cases stacked. Dim work lights. Concrete floor. Intimate, claustrophobic. The detritus of performance.

Key Props

1979 Ferrari 308 GTS	Cherry red, gleaming Italian sports car. The car is almost a character—representing Marcus's dangerous success. Alien object in Mason's normal world.
Guitar Pick	Worn, standard shape, dark colored. Given by the Singer. Talisman Mason will carry for years—physical anchor for the prophecy.
Coca-Cola Cup	Simple plastic cup, no ice. Served by the bartender without being asked. Signals Mason's established place in this world.